exhibitions

Kanishka Raja

Against Integration

September 9 - October 23, 2010
 of 
<i>KR10</i>, 2010
Oil on panel
Triptych: 24 x 30 inches (61 x 76.2 cm), 24 x 18 inches (61 x 45.7 cm), 24 x 30 inches (61 x 76.2 cm)
Overall: 24 x 81 inches (61 x 205.7 cm)
KR10, 2010
Oil on panel
Triptych: 24 x 30 inches (61 x 76.2 cm), 24 x 18 inches (61 x 45.7 cm), 24 x 30 inches (61 x 76.2 cm)
Overall: 24 x 81 inches (61 x 205.7 cm)
<i>KR11</i>, 2010
Oil on canvas and panel
Triptych: 48  x 60 inches (121.9 x 152.4 cm), 48  x 38 inches (121.9 x 96.5 cm), 48  x 60 inches (121.9 x 152.4 cm)
Overall: 48  x 164 inches (121.9 x 416.6 cm)
KR11, 2010
Oil on canvas and panel
Triptych: 48 x 60 inches (121.9 x 152.4 cm), 48 x 38 inches (121.9 x 96.5 cm), 48 x 60 inches (121.9 x 152.4 cm)
Overall: 48 x 164 inches (121.9 x 416.6 cm)
<i>KR9</i>, 2009-10
Oil on canvas
Diptych: 84 x 60 inches (213.4 x 152.4 cm), 84 x 39 inches (213.4 x 99.1 cm)
Overall:  84 x 99 inches (213.4 x 251.5 cm)
KR9, 2009-10
Oil on canvas
Diptych: 84 x 60 inches (213.4 x 152.4 cm), 84 x 39 inches (213.4 x 99.1 cm)
Overall: 84 x 99 inches (213.4 x 251.5 cm)
<i>KR 19</i>, 2010
Oil on canvas on panel
Triptych: 40 x 26 inches (101.6 x 66 cm), 48 x 40 inches (x 121.9 x 101.6 cm), 40 x 26 inches (101.6 x 66 cm)
Overall: 40 x 101 1/2 inches (101.6 x 257.8 cm)
KR 19, 2010
Oil on canvas on panel
Triptych: 40 x 26 inches (101.6 x 66 cm), 48 x 40 inches (x 121.9 x 101.6 cm), 40 x 26 inches (101.6 x 66 cm)
Overall: 40 x 101 1/2 inches (101.6 x 257.8 cm)
<i>KR 20</i>, 2010
Oil on panel
16 panels: 24 x 30 inches (61 x 76.2 cm)
Overall: 96 x 120 inches (243.8 x 304.8 cm)
KR 20, 2010
Oil on panel
16 panels: 24 x 30 inches (61 x 76.2 cm)
Overall: 96 x 120 inches (243.8 x 304.8 cm)
<i>KR21</i>, 2010
Latex acrylic paint on wall
Dimensions variable
KR21, 2010
Latex acrylic paint on wall
Dimensions variable
<i>KR12</i>, 2010
Ink and watercolor on paper
10 1/8 x 21 7/8 inches (25.7 x 55.6 cm)
KR12, 2010
Ink and watercolor on paper
10 1/8 x 21 7/8 inches (25.7 x 55.6 cm)
<i>KR13</i>, 2009-10
Ink and watercolor on paper
10 x 21 3/4 inches (25.4 x 55.2 cm)
KR13, 2009-10
Ink and watercolor on paper
10 x 21 3/4 inches (25.4 x 55.2 cm)
<i>KR14</i>, 2009
Inkjet, watercolor and colored pencil on paper
11 3/4 x 16 5/8 inches (29.8 x 42.2 cm)
KR14, 2009
Inkjet, watercolor and colored pencil on paper
11 3/4 x 16 5/8 inches (29.8 x 42.2 cm)
<i>KR15</i>, 2010
inkjet, watercolor, colored pencil on paper
22 x 30 inches (55.9 x 76.2 cm)
KR15, 2010
inkjet, watercolor, colored pencil on paper
22 x 30 inches (55.9 x 76.2 cm)
<i>KR16</i>, 2010
Monotype
13 7/8 x 22 inches (35.2 x 55.9 cm)
KR16, 2010
Monotype
13 7/8 x 22 inches (35.2 x 55.9 cm)
<i>KR17</i>, 2010
Monotype
16 x 22 inches (40.6 x 55.9 cm)
KR17, 2010
Monotype
16 x 22 inches (40.6 x 55.9 cm)
<i>KR18</i>, 2010
Monotype
16 x 22 inches (40.6 x 55.9 cm)
KR18, 2010
Monotype
16 x 22 inches (40.6 x 55.9 cm)
<i>KR22</i>, 2010
Watercolor on paper
10 x 22 inches (25.4 x 55.9 cm)
KR22, 2010
Watercolor on paper
10 x 22 inches (25.4 x 55.9 cm)

Press Release

Kanishka Raja

 Against Integration September 9 - October 23, 2010
Solo exhibition

Greenberg Van Doren Gallery is pleased to present a solo exhibition of paintings by the New York-based artist Kanishka Raja. This will be Raja’s first solo exhibition with the gallery and will be on view from September 9th to October 23rd, 2010. The exhibition will feature new multi-panel paintings by the artist and a wall painting created on site in the front room of the gallery.

In Kanishka Raja’s depicted realms, private and public domains from disparate global settings interlock in a complex visual field comprised of multiple panels and variegated perspectival windows. Raja charges these lush and energetic domains with pulsating patterns drawn from his engagement with textile design and ornament. Inspired by Italian 15th Century “Ideal City” paintings that proposed model urban landscapes and demonstrated the principles of perspective, Raja’s new works are windows onto contemporary urban societies. He presents spatially and contextually incongruent views through settings ranging from banal office spaces, to communal points of meeting. Sports arenas or shopping malls encounter zones of global conflict and sites of manmade or natural disasters such as a flooded domestic interior or a stock market trading floor. Raja lends a painterly, hand-honed quality to the works, creating composite realms that capture notions of both the technological and the handmade.

While the communities that Raja proposes are both disjunctive and visionary, the original source material for his compositions is rooted in documentary images. Raja relies upon the newspaper as his primary means of accessing world news. He selects pictures from articles, cuts them out to disconnect them from the specific event or place they once referred to, and then places them into an archive. He then chooses images from this archive and reformulates them into a new visual language, proposing a contemporary arena characterized by fragmentation, simultaneity, and interconnectedness.

Kanishka Raja was born in Calcutta, India in 1970 and lives and works in New York, NY. Solo exhibitions include I Have Seen The Enemy And It Is Eye, Galerie Mirchandani + Steinrücke, Mumbai, 2009, In The Future No One Will Have A Past, Jack Tilton Gallery, NY, 2007, and Envoy Gallery, NY, 2007. Recent group exhibitions include Master of Reality, Rose Art Museum, Brandeis, University, 2009. Raja was the recipient of the 2004 ICA Artist Prize awarded by the Institute of Contemporary Art, Boston, and has been awarded artist residencies at ISCP, New York and the Civitella Ranieri Foundation, Umbria, Italy. His work is included in the collections of the Fogg Art Museum, Harvard University, and The Meadows Art Museum, Dallas, TX.

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Press

Time Out New York
Kanishka Raja: Against Integration
October 5, 2010

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The New Yorker
Goings on About Town: Kanishka Raja
October 4, 2010

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Artforum.com
Critic's Pick: Kanishka Raja
October 1, 2010

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Detail Image